Today I would like to talk about the relationship between the letter Aleph and linguistic eloquence making an introduction to the unseen structures of language itself , the hidden perfume.
In in the design of the leading hotels of the world culture is presented indirectly, subtly as a cultural echo This is very much related to idea that the relationship between the upper ( implicate order[KC1] ) and the lower (explicate order) of reality is diagonal also seen through the diagonal shape of the Van connecting the two in letter Aleph. In line with this, I will approach linguistic eloquence through an angle revealing it only partially today.
Patterned vibrations – Implicate level of reality
To begin with, I am going to start by suggesting that at an implicate level of reality, language is a system of patterned vibrations. Beneath the surface lies a deeper architecture echo:
The spiral of a sunflower, the curve of a galaxy;
• The golden ratio in shells, faces, temples, architectural buildings;
• Hidden symmetry in a snowflake;
• Grammar of dreams;
• The labyrinth of Theseus;
• A living silent grammar of archetypal relationships;
Language at this level is not spoken; it is felt a :
Order;
Unity;
Beauty;
A hidden syntax;
Peace;
Integrity meaning wholeness .
Explicate level of reality
A Language as Apollonian Order
f we were to talk about actual human language at the explicate level of reality, at the surface level, linguistic eloquence is about maintaining order.
It manifests itself through:
• Language that aligns with precision and proportion, consistency of tone and style (the emotional and stylistic register remains stable and appropriate (formal, poetic etc));
• Flow with respect to ideas (each ideas naturally leads to another);
• Semantic coherence (words and phrases are chosen with precision, supporting the central theme);
Rhetorical balance (use of symmetry, parallel structure );
• Argumentative integrity i.e making a point and following consistent reasoning not contradicting oneself);
Also In line with the diagonal Vav this is not rigid control but form in resonance with the deeper intelligibility, that is a coherence which transcends surface level logic, it just feels at a gut level intrinsically right.
B . Eloquence as linguistic play
However, as with everything in life, true magic and wonder happens when we play – when rules are occasionally consciously broken. Breaking the rules in linguistic eloquence terms is a creative chaos that re-organises order. In this sense language echoes familiar forms and patterns (syntax, rhythm, logic) but then breaks them to echo deeper ones.:)
• In poetry a broken meter draws attention to a moment of grief, ecstasy, insight;
• In mystical texts paradoxes break logic to reveal deep unity;
•In Rhetorics, a pause a rupture, a sudden image awakens a truth we couldn’t reach through symmetry alone;
• EE. Cummings disrupts syntax to mirror the disorientation of modern life;
• Fragmentation of sentences when talking about death, reflects a numb existential resignation;
• Arguments spiral rather than move linearly to hold paradox or multiplicity;
• In music standard rhythm creates expectation, a pattern. Eloquence comes when the pattern in bent. A syncopation[4] disrupts the beat, revealing emotional depth. Jazz establishes music form only to swerve it, breaking linearity to touch something ineffable.
C. Paradox as deeper order ( 5 +15=20)
Dance between explicate and implicate level of reality
The question which arises however reveals a superficial paradox. How does breaking patterns at an explicate level of reality relate to the implicate level of reality world of patterns? How does the former echo the latter if both are true ?
If we use superficial judgement, this is self-contradictory. However if one looks underneath the patterns found at an implicate level of reality mentioned above, they are not rigid repetition. Instead, there is intuitive coherence, not surface symmetry.
The surface pattern is the skin.
Breaking it reveals the pulse beneath it, a deeper pattern, the human heart ~
At first glance, Fibonacci sequence and golden ratio seem mechanical deterministic, but in the context of the implicate order they are not mechanical repetitions . They are organic, fluid and expressive of a living intelligence.
> They generate organic forms (spirals of galaxies, sunflower seeds).
> Each step emerges from a relationship ( for example each Fibonacci number is the sum of the two found before ).
Heliotropic Apollonian Order
In this sense when language breaks surface pattern, this is not to reject order but to realign with a deeper coherence, one that breathes , pulses and reveals itself moment by moment.
*A sentence that follows perfect grammar is dead*
*A sentence that bends form but lands with emotional resonance is alive, passionate, it reveals patterns not seen but intuitively felt both by the speaker and by the listener, a form of creative play@
and*
When you do return to order it feels like:
Resolution after tension;
Clarity after mystery;
Grounding after flight;
which makes its ( order ) essence more profound through the contrasting experience.
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Fragnace note
World :The world of the hidden – patterned vibration the silent geometry beneath appearances
Accord: Hebrew coded mystery
Undertones : Greek clarity , Logos unfolding, French nuance
Aura: A paradoxical sillage, a perfume that is light and dark together, order and surprise a classical floral bouquet pierced by an unexpected metallic note.
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[KC1]David Bohm proposed that the reality operates on 2 interconnected levels.The underlying enfolding one called the implicate order where everything is in a state of potentiality- connected and the explicate one the unfolded manifest levels where entities appears as being distinct . The latter arises from the implicate level and what we see as separate is actually an expression of a deeper unified whole.